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Lipton Global Campaign

Billion Dollar Boy ran a two-year Lipton campaign with local creators in seven markets producing daily social content, self-reporting 924 million views across Instagram and TikTok.

924Mviews across Instagram and TikTok

Case in 60 seconds

Lipton set a brief that ran for two years across seven markets, which meant sustaining daily social content in each of them rather than flighting one global campaign from a single centre.

The market-by-market structure suggests the agency read local credibility as the constraint rather than reach, because an iced tea brand is bought in national contexts and creators who speak to those contexts need no translation.

Deploy local creators in every market and have them post daily, so the brand holds continuous presence native to each feed rather than one global asset adapted into seven versions.

Local creators were deployed across seven markets over a two-year initiative, producing daily social content that ran on Instagram and TikTok, with the campaign measured on the views that content accumulated across those two platforms.

Billion Dollar Boy's founder reports 924 million views across Instagram and TikTok and describes that as three times the reach of traditional advertising, a comparison made in the post itself.

Strategy Breakdown

Iced tea is bought on habit and discussed rarely, so a beverage brand competing for attention has to hold presence across a whole year rather than buy it back in campaign bursts.
Lipton acted as a standing presence in local feeds, supplying the occasion for daily creator content in seven markets rather than appearing as the subject of a single global campaign.

Creative & Execution System

Assets & channels

  • Instagram
  • TikTok

Partners

  • Billion Dollar Boy

Results & Evidence

MetricValue
Views Across Instagram and TikTok924 million views across Instagram and TikTok, three times the reach of traditional advertising

Why Billion Dollar Boy's strategy worked

  1. 1

    A two-year commitment to local creators gives a brand standing production capacity in each market, so output does not have to be re-briefed and re-cast every time the calendar turns.

  2. 2

    A daily cadence held for two years builds reach by accumulation rather than by launch spike, which suits a category bought weekly rather than considered once a year.

  3. 3

    Concentrating output on Instagram and TikTok keeps a long-running programme countable on two surfaces, which is what allows a figure like 924 million views to be stated for the whole of it.

  4. 4

    A reach multiple quoted against traditional advertising is only usable where the comparison is shown, so a claim of that shape should travel with the media baseline it was measured against.