
The Unfinished Film
Influencer MarketingGolin Ketchum built an intentionally incomplete Adobe Firefly film for Adobe and invited four global creators to finish it, work the agency reports drove 5.7 million interactions.
Case in 60 seconds
Adobe had lost the creative community's trust, because a wave of AI competitors and doubt about Firefly's capabilities left many creators not merely choosing rival tools but actively hostile to Adobe's AI direction.
The campaign appears to turn on a creative community that read AI as a threat to authorship, so proof of Firefly's range had to come from creators' own finished work rather than from Adobe's claims.
The organizing thesis was to hand authorship back to creators by releasing a film made entirely with Firefly that was deliberately left unfinished, positioning AI as a collaborator rather than a replacement.
Golin Ketchum partnered with the AI filmmaker Sam Finn to make an intentionally incomplete film entirely in Adobe Firefly, then invited four global creators to finish it their own way as co-directors. Adobe's hero cut ran on YouTube, and Golin Ketchum reports that media coverage of the work appeared in 40+ global outlets.
Golin Ketchum reports 5.7 million interactions in the first seven days and 1.4 million views on Adobe's hero video, with coverage in 40+ global outlets at 100% positive-neutral sentiment. The agency also reports that Noméie Pino alone drove 2.5 million interactions.
Strategy Breakdown
The primary strategy-learning section — interpretation, not a press-release summary.
Creative & Execution System
Assets & channels
- YouTube
Partners
- Golin Ketchum (lead_agency)
Participation mechanic
- Four global creators were invited to finish an intentionally incomplete film their own way, so participation took the form of co-direction, with each creator resolving the same film through a version of their own.
Creator role
- Sam Finn — creator
- Noméie Pino — creator
Results & Evidence
| Metric | Value | Result type |
|---|---|---|
| views on Adobe's hero video | The campaign generated 5.7 million interactions in the first seven days, with Adobe's hero YouTube video surpassing 1.4 million views. | video_views |
| interactions in first seven days | The campaign generated 5.7 million interactions in the first seven days, with Adobe's hero YouTube video surpassing 1.4 million views. | video_views |
| global outlets with coverage | Media coverage appeared in 40+ global outlets with 100% positive-neutral sentiment - and Noméie Pino alone drove 2.5 million interactions with just 144K followers, proving authentic content outperforms reach every time. | performance |
| positive-neutral sentiment share | Media coverage appeared in 40+ global outlets with 100% positive-neutral sentiment - and Noméie Pino alone drove 2.5 million interactions with just 144K followers, proving authentic content outperforms reach every time. | performance |
| interactions, Noméie Pino | Media coverage appeared in 40+ global outlets with 100% positive-neutral sentiment - and Noméie Pino alone drove 2.5 million interactions with just 144K followers, proving authentic content outperforms reach every time. | performance |
Why Golin's strategy worked
- 1
Where a category's users distrust a brand's direction, handing them authorship over the demonstration appears to work better than asserting capability, because the proof is then made by the people who doubted it.
- 2
Noméie Pino alone drove 2.5 million interactions, which suggests that casting for creative fit rather than follower scale can carry the larger share of a campaign's response.
- 3
An intentionally unfinished asset gives collaborators a defined job, which reads as a way to secure participation while allowing each creator to resolve the work differently rather than briefing them into one execution.
- 4
Coverage in 40+ global outlets at 100% positive-neutral sentiment suggests that framing a tool as a collaborator rather than a replacement lowers the risk of hostile pickup in a contested category.



