Feels Good To Feel

Influencer Marketing

Odeon reports growing its TikTok following from 4,000 to 100,000 and a 14.70 ROAS from creator content built around the sensory experience of cinema.

14.70roas
109Klink clicks
250%follower increase
4,000 to 100,000TikTok followers

About the campaign

Post-pandemic audiences had shifted to streaming and stopped treating cinema as a regular outing, and Odeon arrived on TikTok from near zero, with roughly 4,000 followers and no established presence on the platform. Social listening pointed The Goat Agency toward a sensory reading of the problem: what separates the cinema from watching at home is the smell of popcorn, the anticipation during the trailers and the jolt of a loud opening score, and that feeling could be recreated in social content rather than simply advertised.

Feels Good To Feel became an always-on, creator-led TikTok programme published on Odeon's own channel under the hashtag of the same name. The Goat Agency ran VFX and animation, comedy sketches, themed playlists, brand challenges and creator takeovers, including Max Balegde's Bottom of the Popcorn Lobby Chat interview series and a Family Film Closet activation with parenting creators. Every brief was mapped to calendar moments such as Back to School alongside film release dates, and the organic content was backed by paid media and TikTok Spark Ads.

Recurring formats gave audiences reasons to return, and running paid media and continuous creative testing alongside organic posts attached a commercial number to the follower story. The Goat Agency reports 250% follower growth from 4,000 to 100,000, its 12-month follower target reached two quarters early, 109K link clicks and a 14.70 ROAS, plus 2024 wins at the Digiday Awards and The Drum Awards for Marketing. All figures and both award claims come from the agency's own case study and were not independently verified, so the results should be treated as agency-reported.

Case in 60 seconds

Post-pandemic audiences had shifted to streaming and stopped treating cinema as a regular outing. Odeon had roughly 4,000 TikTok followers and no established presence on the platform.

What separates cinema from watching at home is sensory: the smell of popcorn, the anticipation during trailers, the jolt of a loud opening score. That feeling could be recreated in social content.

Feels Good To Feel, a creator-led TikTok programme under the #FeelsGoodToFeel hashtag that brought the cinema's sensory experience back to social media.

VFX and animation, comedy sketches, themed playlists, brand challenges and creator takeovers on the Odeon channel, including Max Balegde's Bottom of the Popcorn Lobby Chat series and a Family Film Closet activation with parenting creators, backed by paid media and TikTok Spark Ads.

The agency reports 250% follower growth from 4,000 to 100,000, the 12-month follower target hit two quarters early, 109K link clicks and a 14.70 ROAS, plus two 2024 award wins.

Strategy Breakdown

The primary strategy-learning section — interpretation, not a press-release summary.

UK audiences who had shifted to streaming during the pandemic and stopped thinking of cinema as a regular outing, including families and parents reached through parenting creators.
Streaming had made film-watching a default at-home behaviour, and the habit of going out to the cinema had faded.
Cinema chains competed with the convenience of home streaming, and Odeon was starting on TikTok from near zero, with roughly 4,000 followers and no established presence.
Odeon positioned itself as the place where film feels different, using its own TikTok channel to remind people what the physical experience offers that home viewing does not.
Reconnecting people with the sensory details of cinema, popcorn, trailers, the opening score, was the route back to the cinema-going habit, and TikTok could carry that feeling while also working as an acquisition channel.

Creative & Execution System

Assets & channels

  • TikTok (Odeon brand channel)
  • VFX and animation content
  • Comedy sketches
  • Themed playlists
  • Brand challenges
  • TikTok Spark Ads and paid media

Partners

  • The Goat Agency
  • Max Balegde
  • Family and parenting creators

Participation mechanic

  • #FeelsGoodToFeel hashtag
  • Brand challenges
  • Creator takeovers of the Odeon channel

Creator role

  • Max Balegde hosted the Bottom of the Popcorn Lobby Chat interview series on the Odeon channel
  • Family and parenting creators ran the Family Film Closet activation tied to current releases

Results & Evidence

MetricValueResult typeConfidence
TikTok follower growth250%audience growthAgency reported
TikTok followers4,000 to 100,000audience growthAgency reported
Link clicks109KtrafficAgency reported
ROAS14.70commercialAgency reported

Awards & Recognition

Award showYearCategoryResultSource
Digiday Awards2024Best Use of TikTokWinner
The Drum Awards for Marketing2024Best Culture or Leisure CampaignWinner

Why The Goat Agency's strategy worked

  1. 1

    A sensory insight gave the channel a distinct editorial territory: content about how cinema feels, not just what is showing.

  2. 2

    Publishing creator formats directly on the brand channel, takeovers and the recurring Lobby Chat series, built Odeon's own audience rather than renting creators' audiences.

  3. 3

    Mapping every brief to calendar moments and film release dates kept an always-on channel supplied with timely reasons to post.

  4. 4

    Running paid media, Spark Ads and continuous creative testing alongside organic content attached a commercial number, the reported 14.70 ROAS, to the follower-growth story.

  5. 5

    Recurring series and named activations, Lobby Chat and Family Film Closet, gave audiences formats to return to instead of one-off posts.