
Case in 60 seconds
Freakins already had a Gen Z following and needed to convert it into lasting loyalty rather than reach, which is harder to buy through conventional advertising because the audience the brand wanted treats overt advertising as a reason to disengage.
The campaign appears to turn on the reading that a creator's own journey carries more weight with 18 to 25 year olds than a brand message does, because aspiration and inspiration read as earned when they come from a person the viewer already follows.
Put real creators and their own stories on outdoor media rather than brand assets, so the billboard becomes a moment in each creator's life that their audience recognises and returns to on Instagram.
Finnet Media worked with around 14 creators across all genres on Instagram, running their reels on billboards on Mumbai's Dadar Tilak Bridge, each reel telling the creator's journey and each billboard carrying a unique coupon code that pushed viewers to follow the creators on Instagram and YouTube.
Finnet Media reports 20 Million+ total views, 2 Lakh+ total likes and 14 activations, and the page lists an engagement rate label with no figure beside it, so how the rate was calculated is not stated.
Strategy Breakdown
The primary strategy-learning section — interpretation, not a press-release summary.
Creative & Execution System
Assets & channels
- YouTube
- billboards
- reels
Partners
- Finnet Media (lead_agency)
Participation mechanic
- Each billboard carried a unique coupon code that prompted viewers to follow the creators and engage with their content on Instagram and YouTube, which also gave Freakins a way to measure engagement coming from billboard viewers.
Creator role
- digvijaylifestyle — creator
- drishtiispeaks — creator
- simranbalarjain — creator
- around 14 creators, all genres
Results & Evidence
| Metric | Value | Result type |
|---|---|---|
| Activations | 14 | performance |
| Total Likes | 2 Lakh+ | performance |
| Total Views | 20 Million+ | video_views |
Why Finnet Media's strategy worked
- 1
Outdoor media gains a second life when the asset on it belongs to a creator rather than the brand, because the creator has their own reason to post about it and their audience treats the billboard as personal news.
- 2
A unique code per billboard turns an untrackable surface into a measurable one, which is why Freakins could attribute engagement to billboard viewers rather than infer it from general uplift.
- 3
Casting across all genres rather than a single content vertical works when the shared brief is a personal journey, because the story format carries the brand rather than the subject matter does.



