Hooray Heroes : Nano Influencer User-Generated Content

Epidemic ran a nano influencer gifting campaign for personalised book publisher Hooray Heroes across France and Spain, working with 1615 nano-influencers to produce commercial user-generated content.

1394Instagram posts
1615nano-influencers collaborating
90share of advertising that is UGC

Case in 60 seconds

Hooray Heroes needed to build awareness and e-commerce sales across 8 global markets, including France and Spain, in a personalised gift category crowded with competitors where standing out and holding consumer attention is difficult.

The campaign appears to turn on the reaction rather than the recommendation, because a personalised book only proves its value at the moment a child sees themselves in the story, and that moment can be filmed by a parent who already loves the brand.

Rather than commissioning advertising about the product, Epidemic sourced the advertising from true fans of the brand, treating the gifted book as the brief and the recipient's genuine excitement as the material worth licensing.

Epidemic worked with 1615 nano-influencers in France and Spain, offering a free book in exchange for user-generated content cleared for commercial use, in two waves: finding true fans of the brand, then briefing them to share receiving and reading the book, its features and their child's reactions on Instagram.

Epidemic reports 1394 Instagram posts, 6147 Instagram stories and a combined total of 15 million followers reached across 8 global markets, with content the agency describes as aligned to the brand identity.

Strategy Breakdown

The primary strategy-learning section — interpretation, not a press-release summary.

Parents looking for unique, personalised gifts their children will cherish, in France and Spain and across the brand's 8 global markets.
The page describes a personalised gift market with so many competitors that capturing attention is difficult, so differentiation had to come from evidence of the product's emotional effect rather than from claims about it.
Hooray Heroes acts as the gift-giver in the exchange, supplying the personalised book itself as the only payment, which places the brand inside a family moment rather than alongside one.
Based on the available evidence, the programme rests on the assumption that genuine gratitude is visible and unfakeable on camera, which is why the first wave screened for true fans before any content was briefed.

Creative & Execution System

Assets & channels

  • Instagram
  • Instagram posts
  • Instagram stories
  • user-generated content

Partners

  • Epidemic (lead_agency)

Participation mechanic

  • Nano-influencers received a free personalised book and, in exchange, produced content showing themselves receiving and reading it and their child's reaction, which the brand could then use commercially.

Creator role

  • 1615 nano-influencers in France and Spain

Results & Evidence

MetricValueResult type
Instagram postsThe campaign was a huge success, generating 1394 Instagram posts, 6147 Instagram stories, and a combined total of 15 million followers reached across 8 global markets.reach
nano-influencers collaboratingThe agency worked with 1615 nano-influencers in France and Spain, offering them a free book in exchange for user-generated content that could be used for commercial purposes.creators_count
share of advertising that is UGCMore than 90 % of our advertising consists of user-generated content from satisfied users around the globe and Epidemic offers simple, scalable, and transparent solution on how to get usable content directly from them.performance

Why Epidemic's strategy worked

  1. 1

    Casting for existing affection rather than reach changes what the content can show, because a creator who already wanted the product reacts to receiving it in a way a paid creator has to perform.

  2. 2

    Nano-influencer gifting reads here as a content supply route rather than a reach buy, since the commercial usage rights were the stated exchange and the brand puts that content back into paid advertising.

  3. 3

    Splitting creator communication into a sourcing wave and a briefing wave appears to be what let the programme run at 1615 creators without losing the emotional register the brand needed.