Snipes x Nike
22 IMPACT managed talent, travel and production for the SNIPES x Nike collection launch in London, delivering a campaign the agency reports at 8M+ collab impressions.
Case in 60 seconds
SNIPES and Nike were launching a new collection into European markets, and the work had to bridge global product innovation with European street culture while still reading as native to the street rather than imported into it.
The campaign appears to turn on credibility being borrowed from the person wearing the collection rather than from the collection itself, because Tay Moses arrives with existing standing in UK fashion and music culture that a studio shoot cannot manufacture.
Position the collection as immediately street-ready by shooting it where street culture actually lives, using a raw urbanism direction across London that reads as documentation of movement rather than as product presentation.
22 IMPACT cast and booked Tay Moses, negotiated rates, managed contracts and usage rights, coordinated travel and accommodation to London, briefed pre-shoot and oversaw production through delivery, with imagery running across SNIPES' website and social channels plus paid social and in-store digital.
22 IMPACT reports 8M+ collab impressions delivered across Nike and Snipes' combined paid social, in-store digital, and talent content across European markets, and describes strong engagement and commercial performance without attaching figures to either claim.
Strategy Breakdown
The primary strategy-learning section — interpretation, not a press-release summary.
Creative & Execution System
Assets & channels
- TikTok
Partners
- 22 IMPACT (lead_agency)
Creator role
- Tay Moses — creator
- Tay Moses — creator
Results & Evidence
| Metric | Value | Result type |
|---|---|---|
| Instagram followers | 4 3 K I N S T A G R A M | follower_growth |
| TikTok followers | 4 5 K T I K T O K | follower_growth |
| impressions | 8M IMPRESSIONS | impressions |
Why 22 IMPACT's strategy worked
- 1
Where a collection has to enter an established subculture, casting a creator who already operates inside it transfers standing to the product faster than art direction alone, because the audience reads the person before the garment.
- 2
Placing a single agency as the sole point of contact between talent and brand appears to be what made a cross-border shoot workable, since casting, contracting, travel and production sat with one party rather than being handed between several.
- 3
Contracting usage extensions and renewals at the point of booking rather than after the fact suggests the imagery was planned to run across owned, paid and in-store surfaces from the outset instead of being cleared surface by surface.
