
New Era Urban UGC Series
Influencer Marketing22 IMPACT cast and managed Anjo Alexandre to produce an urban UGC series for New Era in Düsseldorf, which the agency reports delivered 4M+ cap culture impressions.
Case in 60 seconds
New Era needed content that placed its caps in the fashion and lifestyle space while holding a premium yet accessible look, so talent, setting and usage terms all had to fit the brand.
The page treats streetwear credibility as something built through urban texture and one talent's styling rather than studio polish, because content made by talent on location sits closer to how caps are worn on the street.
The New Era Urban UGC Series paired Anjo Alexandre with the streets and natural light of Düsseldorf, so New Era received talent-made content styled as effortless and modern rather than staged advertising.
22 IMPACT cast Anjo Alexandre, negotiated terms and usage and exclusivity rights, and ran production logistics in Düsseldorf, after which the content ran on talent social channels and on New Era's paid digital and social channels.
22 IMPACT reports 4M+ cap culture impressions across talent social content and New Era's paid digital and social channels in the UK and US markets, and it describes engagement as strong without publishing a figure.
Strategy Breakdown
Creative & Execution System
Partners
- 22 IMPACT
Creator role
- Anjo Alexandre
Results & Evidence
| Metric | Value |
|---|---|
| Cap Culture Impressions | 4M+ impressions |
Why 22 IMPACT's strategy worked
- 1
Securing usage and exclusivity rights at the contract stage lets a brand republish talent content on its own paid and social channels, so one shoot serves both the talent's audience and the brand's distribution.
- 2
Choosing a location for texture and light rather than for landmarks gives a streetwear product a setting that matches how it is worn, which keeps talent content close to the category's own visual codes.
- 3
Reporting talent social and paid brand impressions as one total hides how much reach the talent carried on their own, so a split by source is needed before the talent's contribution can be judged.


