7 New Ways to Love Noosa
Butler, Shine, Stern & Partners built a Valentine's Day invention series for noosa yoghurt with creator Matty Benedetto that drew over 250M impressions in earned media.
Case in 60 seconds
Noosa had a base of passionate fans already buying the yoghurt, so the task was not awareness but giving those fans a fresh reason to talk about a product they had long since decided they liked.
The campaign appears to turn on the overlap between how fans talk about a favourite food and how people talk about a partner, because Valentine's Day licenses declarations of devotion that would read as excessive on any other date.
Rather than advertise the yoghurt, the agency treated fan devotion as a design problem and commissioned absurd objects that took loving noosa to its literal conclusion, one invention for each day of the run-up.
Butler, Shine, Stern & Partners enlisted Matty Benedetto of Unnecessary Inventions, a TikTok and Instagram creator, to invent seven ways to enjoy noosa, including a hot tub Yoguzzi and a Lovers Double Spoon, released one per day on social channels across the week before Valentine's Day.
The agency reports over 250M impressions in earned media and doubled organic social engagement, and states the campaign was named Ad of the Week from Campaign Magazine, which places a trade title's attention alongside the reach figure.
Strategy Breakdown
The primary strategy-learning section — interpretation, not a press-release summary.
Creative & Execution System
Assets & channels
- TikTok
Partners
- Butler, Shine, Stern & Partners (lead_agency)
Creator role
- Matty Benedetto — creator
Results & Evidence
| Metric | Value | Result type |
|---|---|---|
| earned media impressions | garnering over 250M impressions in earned media | impressions |
Why Butler, Shine, Stern & Partners's strategy worked
- 1
A daily release schedule tied to a countdown gives a creator partnership seven separate entry points into a feed rather than one, which suits earned media because each object can be picked up on its own.
- 2
Commissioning a creator for what they are known to make, in this case unnecessary inventions, keeps the brand integration inside the format the audience already follows rather than asking the creator to host a message.
- 3
Physical absurd objects travel as earned media because press and social accounts can describe them in a line, which is why the reported reach sits in earned rather than paid impressions.
